Peter Samuelson (1912-1996) was a painter with one commercial flaw, he was disinterested in the art world, hated dealers, and constantly tried to confuse anybody that might like to collect his work by signing ‘Pierre’ or signing back to front in mirror-writing. However, his marvellous and fantastical drawings captured the attention of friends and other admirers.
4 November 2021
Samuelson was educated at Eton, but aged fifteen he asked to leave school. Instead, he spent several seasons with the Ballet Russe de Monte Carlo, sketching the dancers and improving his ability to capture movement, Samuelson wrote that ‘movement in the fingers comes from my own feeling for dance’. He then trained at the New York School of Fine Art in Paris, before moving to Holland to work as an illustrator for the Dutch Radio Times. In 2006, the Brewhouse Gallery, Eton College, held an exhibition of Samuelson's work called 'Still Life and Fantasy'.
Lot 92 | Peter Samuelson (1912-1996)
inscribed as titled, pen and blue ink
17.7 x 25.3cm, unframed;
together with four further drawings by the artist (not shown)
one inscribed 'Francis Oates', another indisctintly inscribed, pen and ink
three 25.3 x 17.6cm, one 25.5 x 20cm, all unframed (5)
£150 - 200
Sworders Modern & Contemporary Art Timed Auction (5 - 21 November) offers a section of drawings and watercolours, in which we see Samuelson respond to music. His love of music and dance was lifelong, he was able to spend time watching orchestras recording for the radio and also attended performances, for example, there are drawings of Jurgen Hess (lot 92 above), who was a sessions musician for the Beatles and classical violinist.
Lot 90 (part lot) | *Peter Samuelson (1912-1996)
watercolour, pen and ink (not shown)
19.5 x 24.5cm;
together with two further works by the artist
'Liapunov, exceedingly dull piano concerto;
'Violin Concerto in B Minor, Saint-Saens'
both inscribed as titled, watercolour, pen and ink
both 26 x 20.5cm, unframed (3)
£200 - 300
Also included are Samuelson’s ‘Musical Fantasies’, in his own words they are ‘always done under the immediate influence from the radio at speed, almost unconsciously, they are unashamed in their iconoclasm, with surrealistic elements unchecked.’ His earlier works included colour but he soon abandoned this for the ‘immediacy of line’. His opinions on great musicians and composers were strong, he loved Bach, Hayden, Schubert and Debussy. His drawings respond to certain concertos and composers and include humorous comments, for example, he writes of the Russian composer, Sergei Lyapunov - ‘exceedingly dull piano concerto’ (lot 90, part lot above).
Lot 93 (part lot) | *Peter Samuelson (1912-1996)
Musical Fantasies, 'Mozart horn concertos'; (shown)
five, each signed, inscribed and dated, pen and ink
four 20 x 33cm, one 20.2 x 25.2cm, each unframed (5)
£150 - 200
In the eighty-five years since its invention the electric guitar has forged and defined the path of popular culture and music, yet whilst spanning an infinite number of genres and wielders, the principal designs of the instrument have remained virtually unchanged since the early 1950s.
30 June 2022
After the successful sale of the Bixley Manor furniture and works of art in our June Fine Interiors auction, we are delighted to announce the sale of 20th century paintings, prints, drawings and sculpture from this prestigious collection within our Modern & Contemporary Timed auction, open for bidding from 1st to 10th July.
30 June 2022
The Curwen Print Study Centre urgently needs to raise £26,350 to make its extensive archive publicly available for the very first time. Can you help by donating, or spreading the word?
29 June 2022